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Reviews of DeVos' Groove Guitar! - Blues Leaf Records BL 9822

Downbeat, December 2002, "DeVos shines as he lays down fluid bluesy triplets…most importantly, really knows how to show that he’s listening…  

John Heidt, Vintage Guitar Magazine, November 2004

Bob DeVos is one of the finest players you'll hear, a New York guy who just oozes soul. It's easy to see why he's the choice of organ players everywhere: he creates such a good feel--easy and relaxed but at the same time it burns and is extremely soulful. On  DeVos' Groove Guitar! things swing, things are bluesy, and things are plain-old souful.  

Vince Giantomasi, JAZZ IMPROV, The Guitar Issue, Summer 2004

Bob DeVos is a jazz monster! DeVos Groove Guitar! is a MUST for all aspiring guitarists. On Thelonious Monk’s classic tune, "Round Midnight" Bob DeVos has a masterpiece arrangement. He plays behind the beat with the organ countering in a very mystical way. This is one of the finest solos I have ever heard played against the chord changes. DeVos is superb! 

(ENTIRE REVIEW)

Don Williamson in Jazzreview.com magazine, 2003:

The result is DeVos’ Groove Guitar!, appropriately entitled right down to the exclamation mark. The excitement from DeVos’ playing comes directly from the groove: Laid back and obviously enjoying themselves, DeVos’ group breezes through the CD’s nine tunes. Varied from Thelonious Monk’s "Round Midnight" to Burt Bacharach’s "The Look of Love," DeVos approaches all of the music with an ease that invites the listener to enjoy the music. From the soulful appeal of Curtis Mayfield’s "Prayin’ for Your Return" to the now-famous vamp of Herbie Hancock’s "Cantaloupe Island," DeVos finds the common element of groove to link them all.

Bob DeVos has remained steadfast in the essential elements of his style: melodic clarity, logical solo construction, assured confidence, a ringing tone and an irresistible groove on his guitar (!). He certainly deserves the attention that DeVos’ Groove Guitar! will bring him.  

David A. Orthmann on DeVos’ Groove Guitar! 2003 and The Groove ORGANization, 2002, Allaboutjazz.com magazine reviews:

"Radiating keen intelligence and impeccable taste, DeVos’ playing extends beyond the parameters of the soul-jazz genre. Throughout DeVos’ Groove Guitar!, the guitarist plays expressive, melodically oriented solos and incisive accompaniment…his logical, flowing lines beckon both the aficionado and casual listener.

"DeVos is a thinking person’s guitar hero...His solos manage to sound both calculated and ardent…a full, liquid tone, a brilliant, knowing bebop player."  

 

 
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