Dueling guitarists, united in jazz
Saturday, October 06, 2007
BY ZAN
STEWART
Star-Ledger Staff
JAZZ
Digging
into their distinctive, prodigious styles, which are deeply rooted in the
bebop-and-beyond idiom, guitarists Bob DeVos and Dave Stryker gave a
persuasive duet performance Thursday at the Glen Rock Inn in Glen Rock.
The
veteran West Orange guitarists, both longtime leaders, rarely play as a
duo, which made their appearance as part of the Glen Rock Inn's six-year,
ongoing jazz series special.
The
first set revealed not only the guitarists' ability to play all manner of
statements engagingly -- these ranged from alluring readings of a song's
theme to long, intricate lines -- but also their profound rhythmic
capacity. It was as if each had a drummer in his head, so strong was their
sense of swing despite having no accompaniment except each other.
Their
individual sounds were full and alluring, yet were also different. DeVos,
who plays a custom-built Rob Engel guitar, gets a round, rich tone -- his
notes decidedly fat in a pleasing, buoyant way -- while Stryker, employing
a Gibson ES-347 (both instruments were open-holed), got a bit more grit
and edge while remaining hefty and sonorous.
The
pair's opening "Corcovado" was a characteristically creative
rendition. Stryker began, freely stating the theme, as DeVos filled with
chords and single notes. At one point, Stryker made his tone twangier,
inviting a bluesy feeling into a bossa.
DeVos
took the first solo and scored with luxuriant flowing lines, comely
chordal melody, and little snippets, as Stryker played chunky chords in
rhythmic support. In his solo, the latter dropped in tumbling descents,
evocative bluesy thoughts and songlike garlands of notes.
In
their solos on "Come Rain or Come Shine," the guitarists brought
out their blues acumen. The number climaxed with conversational phrase
trades, as each seemed to find just the right answer to what the other had
just played. Then they soloed simultaneously, orchestrating a beguiling
tapestry of choice notes and glowing sounds.
Stryker
handled the theme to "Watch What Happens," as DeVos played
punchy chords in accompaniment. Stryker's solo again had a wealth of blues
matter, as did the one played by DeVos, who added sumptuous chordal
melody.
The
closing "Anthropology" was a brisk dash through a bebop classic,
with the pair playing the theme in unison, as well as brief harmonized
sections. Here, the musicians revealed their capacity to play fast and
clean and make each note count.