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An Organ Summit Supreme

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Jimmy McGriff

Dr.Lonnie Smith

Trudy Pitts

 

Gene Ludwig

 

David "Fathead" Newman

 

Houston Person

 

Bob DeVos

 

Vinnie Corrao

 

Rudy Petschauer

Musical Director, guitarist Bob DeVos: "This concert is a gift to the people of Newark and to all who love the jazz organ. Speaking for all the musicians, we are honored to pay tribute to Jimmy McGriff."

Beginning in the 1960s, Newark was one of the nation’s key centers of the soul-jazz sound of the Hammond B-3 Organ. Come Sunday, October 23 the City of Newark will again fill with the sounds and the spirit of the Hammond B-3 Organ at An Organ Summit Supreme.

Organ legends Jimmy McGriff, Dr. Lonnie Smith, Trudy Pitts, and Gene Ludwig will be ‘jammin’ on the Hammond B-3 Organ at the African American Education and Cultural Resource Center, at the corner of James Street & Washington Street, from 3:00pm to 8:00pm. Top musicians including tenor saxophonists David “Fathead” Newman, Houston Person, guitarists Bob DeVos and Vinnie Corrao, and drummers Rudy Petschauer and Don Williams join them.

The Newark Department of Recreation and Cultural Affairs and media sponsor WBGO Jazz 88.3FM present the event. WBGO's Gary Walker will host the event.

This free concert moves forward the tradition of the four-organist jams held at Newark Symphony Hall and elsewhere in the city during the 1990s.  “Each of these musicians has deep roots in Newark jazz history” explains event musical director, guitarist Bob DeVos,  “And each of these musicians is still out there playing, performing, and recording. The resurgence of the organ genre has been deepening over the last ten-15 years with many young players on the scene. This is music for all ages.  Executive producers Valerie James and Jimmy “Chops” Jones of the City, WBGO general manager Cephas Bowles, and I want to bring in both the loyal Newark fans of the organ genre and to encourage a new generation of listeners.”

The City of Newark will also present an Award of Recognition to Jimmy McGriff for his contributions to Newark’s cultural life.  McGriff lived in Newark and owned and played at his own club, The Golden Slipper, during the early 70s.  He has long been a favorite of Newark audiences. Please join us for a day of terrific music.  There will be both cabaret and auditorium seating, available on a first-come basis.  Door open at 2PM. Light refreshments will be served.  For more information call (973)733-6454 and listen for news and related interviews on WBGO Jazz88.3FM this fall.

ARTIST BIOGRAPHIES

The modern jazz organ has a rich history and the city of Newark and the musicians performing today at An Organ Summit Supreme are vital to this history.

Being honored is Jimmy McGriff, the King of the Blues Organ. McGriff may have studied formally at Juilliard and at Philadelphia's Combe College of Music, but his music is always swinging and steeped in blues and gospel. McGriff's brand of jazz is about feeling. "That's the most important thing," he says.  McGriff’s sets are his own combination of blues, swing, funk, and gospel-derived sounds.  Jimmy studied and performed with Jimmy Smith as well as organ great Richard “Groove “ Holmes. In the early 60s, Jimmy’s first single, I’ve Got a Woman, released by Sue Records in New York, became a smash hit, peaking at No. 5 on Billboard's chart and at No. 20 on the pop list. With that and such subsequent Sue Records singles as "All About My Girl," "M.G. Blues," and "Bump De Bump," the organist staked out a musical turf all his own, somewhere between the jazz of Jimmy Smith and the R&B of Booker T. & the MGs. In the late 60s and early 70s Jimmy lived in Newark and opened his own club, The Golden Slipper. After leaving Sue Records, McGriff recorded prolifically for such labels as Solid State, Blue Note, Capitol, United Artists, Groove Merchant, and JAM.  He has recorded 14 albums for Milestone (counting the five he cut as co-leader with alto great Hank Crawford). Jimmy McGriff continues to be one of the best-loved and most popular musicians in the organ genre.

Dr. Lonnie Smith is internationally known as one of the premier jazz keyboardists in the history of the idiom. A dominant talent and pace-setting proponent of the Hammond B3 Organ and widely recognized and gifted pianist, Lonnie has been at the forefront of the jazz scene since 1969, when he was named Top Organist by Downbeat Magazine. Most recently, Dr. Smith has been awarded the Organ Keyboardist of the Year award in 2003, 2004 and 2005 by the Jazz Journalist Association. Lonnie was born into a musical family in Buffalo, NY and credits his mother with introducing him to gospel and jazz.

He sang with the family group before turning to the organ. He soon recorded several albums as a member of guitarist George Benson’s legendary quartet and then went on to become a major recording artist in his own right, making over 30 recordings. Many legendary jazz artists have joined Dr. Lonnie Smith on his albums, including Lee Morgan, David "Fathead" Newman, King Curtis, Blue Mitchell, and Joe Lovano among others. Lonnie has performed at the major world jazz festivals with Dizzy Gillespie, Grover Washington Jr., Ron Carter, Lou Donaldson, Jimmy McGriff, Jimmy Scott, Frank Foster, Leon Thomas, Willis Jackson and other prominent jazz artists. His extraordinary range has also included performances with the rhythm and blues greats Gladys Knight, Dionne Warwick, Etta James, Esther Phillips, the Impressions, and the Coasters. Dr. Lonnie Smith's album, Lenox and Seventh Avenue, recorded in Paris, has become a classic jazz tour de force

Celebrated B-3 organ player Trudy Pitts is also a Julliard-trained classic pianist. She brings to the B-3 an array of warm and often sinewy timbres more akin to the church pipe organ. She became immersed in jazz while playing in drummer (and later her husband and life long partner) Bill Carney’s band that also included legendary saxophonist John Coltrane.  By the late 1960s Pitts was a sensation on the Hammond organ, her drawbar variations, vibrato shadings and bass pedal work captivating audiences. She was a pioneer of Soul Jazz, and was one of the earlier proponents of the organ as a jazz instrument. She recorded four albums for Prestige, appearing with Willis Jackson, Pat Martino and later Rahsaan Roland Kirk. Those recording are classics of the genre.

Trudy and Bill were the first act to perform when the famed Key Club opened in Newark and Bill Carney first conceived the concept of the multi-organ jam. Named “A Living Legend” for her lifetime achievements by International Women in Jazz in 1996, she has performed with many of the greatest names in jazz, including Coltrane, Kirk, Grover Washington Jr., Lionel Hampton, Donald Byrd, Ben Webster, Gene Ammons and Sonny Stitt. The pianist/organist also is an excellent composer, arranger, vocalist and teacher. Pitts’ organ legacy is rich with clever musicianship, creative arranging and above all that indefinable virtue – soul.

Pittsburgh based Hammond B3 Master, Gene Ludwig, has worked with Arthur Prysock and has played and recorded with Pat Martino, Sonny Stitt, and Red Holloway-Plas Johnson and has collaborated often with fellow B3 organists the late Jack McDuff and Joey DeFrancesco. He has been and will continue to be one of this country's most passionate exponents of Jazz Organ; "I have an A-100 Hammond in my game room and I keep two B-3's in my garage... I'm ready to go when I get my calls". In a May 2001 profile, Jazzis hailed him as “perhaps the finest mainstream jazz organ player alive.” Since his best selling  "Soul Serenade" in 2000 on Blues Leaf he has scored for that label with "The Groove Organization" in 2002 (with today’s guitarist Bob DeVos) and his current "Hands On" in 2004. A live recording from the Blue Note in Las Vegas is awaiting release in 2005. Gene’s playing gets high praise for its energy and hard driving groove. Gene has a long history of performing in the Newark clubs and at Newark organ jams.

David "Fathead" Newman was born in Corsicana, Texas on February 24, 1933. After completing school in Dallas, David found gigs in local bands. He received a scholarship to Jarvis Christian College where he studied theology and music. After two years of college, David decided to go on the road full time with Buster Smith (Charlie Parker's mentor.) While on tour, David met Ray Charles. When Ray started his own band, he called on David to be part of his group. In 1954, David began a twelve-year association with the Ray Charles Band, first as the baritone player, then soon as the star tenor soloist. In 1959, David recorded his first album as a leader titled, "Fathead: Ray Charles Presents 'Fathead'" on Atlantic Records. It included Newman's dramatic and now famous rendition of Hard Times. He returned to Dallas for a short time and led his own bands.

Newman then moved to NYC and recorded many albums for Atlantic records, as well as Warner Brothers and Prestige. During these years, NYC, David gigged with Lee Morgan, Kenny Drew Sr., Billy Higgins, Kenny Dorham and many others. With his own quartet he toured the east coast, Europe and Japan. 

Newman was also an in demand studio musician, recording with Herbie Mann, Aretha Franklin, Hank Crawford, Aaron Neville, just to name a few.

In 1980, Newman, recorded several main stream jazz albums for the Muse label with Cedar Walton, Jimmy Cobb, Buster Williams, Louis Hayes, among others. David returned to Atlantic Records in the late eighties to record several albums including live at the Village Vanguard with Stanley Turrentine and Hank Crawford.  After recording on the Kokopelli label, David moved to the High Note label where he has recorded six successful CDs. The most recent, I Remember Brother Ray, was released in January 2005 and rose to number one in the jazz charts. 

Houston Person, tenor saxophone, is universally considered the natural heir to the Boss Tenor crown worn so long and so well by Gene Ammons. In the more than twenty-five years that he has been a working bandleader, Person has taken his show to most points on the globe.  One of the last proponents of the big sound, his tone has gotten bigger even as his delivery has mellowed and rounded out.  In 1968 he began a sympathetic and successful musical partnership with the great Etta Jones that lasted over 30 years until her death. In recent years, he has received the recognition he so richly deserves as today's leading instrumentalist in the popular tradition of Gene Ammons and Stanley Turrentine. He has recorded numerous top selling CDs for High Note records, where he is also a producer.

An Organ Summits Supreme’s Musical Director and guitarist is guitarist-composer-arranger Bob DeVos.  DeVos has been critically hailed as a “brilliant player, a master with a sound to die for: rich, full, deep, positive, round and warm. He has played and recorded with Hammond B3 Organ greats Charles Earland, Jimmy McGriff-Hank Crawford, Richard “Groove” Holmes-Sonny Stitt, Joey DeFrancesco, Dr. Lonnie Smith, and Gene Ludwig as well as many other jazz greats, including all of An Organ Summit Supreme’ artists.  Bob’s jazz career began in the early 70s touring with organist Trudy Pitts and he recently reunited with her for a series of performances.

Active on the NYC scene, Bob can be heard heading his own Hammond B3 Organ trio and as a regular member of legendary bassist The Ron McClure’s Quartet.  Bob’s CDs as a leader for Savant and Blues Leaf Records earned many stars in Downbeat and throughout the jazz media. He appeared and did most of the arrangements for Keeper of the Flame: The Charles Earland Tribute Band for High Note that included Joey DeFrancesco on Hammond B-3, Eric Alexander on tenor and that was on top ten annual lists throughout the country.  His compositions have been recognized by the NJ Council on the Arts, reviewers and other jazz artists.

Guitarist Vinnie Corrao has a long history of performing and recording with many Hammond Organ Trio greats: Joey DeFrancesco, Les Mc Cann, Willis "'Gatortail" Jackson, “Brother” Jack Mc Duff, Don Patterson, Sonny Stitt, Freddie Roach, Bu Pleasant and Butch Cornell. He appeared often in the Newark clubs and has performed at many organ summits in Newark and elsewhere.

Don Williams "Big Don" distinguished career drummer has worked with notables such as: Arthur Prysock, Groove Holmes, Jack McDuff, Joey DeFrancesco, Hank Crawford, and currently with Jimmy McGriff.  His remarkable driving force has driven bands at Jazz Festivals around the world.  He is noted for his commanding "smokin" pulse which happens to be the name of his upcoming and soon to be released CD "Smokin" with his own band Jazz Just-Us. Don was born in Newark, and continues to play in town, often with his wife, vocalist Lady CiCi.

Born in Vancouver, Canada (May 18, 1958), Rudy Petschauer attended music school in Portland, Oregon and Rudy became the most in-demand jazz drummer in the area.  He was a member of Concord recording artist, Fraser MacPherson’s Quartet for three years and during that time, recorded many radio and C.B.C. TV shows with that group.  During the early 1980’s, Rudy was also musical director of the Vancouver jazz club, Basin Street.


While in Vancouver, Rudy was the drummer of choice for visiting jazz greats performing in the region. Among them was:  John Handy, Joe Pass, Joe Farrell, Herb Ellis, Richie Cole, and Tal Farlow. He was also a regular member of pianist Renee Rosnes’ trio.


In 1985, Rudy relocated to New York City looking for a more stimulating musical environment.  Shortly after arriving, he began to work around the city at such venues as The Village Gate, The Blue Note, and Fat Tuesday’s.  In 1986, he co-led a group that won the New York Hennessy Jazz Search.  Organist Jack McDuff hired Rudy for his band “The Heatin’ System” in 1987.  Rudy toured Europe and North America extensively with that group. He is featured on five of McDuff’s Concord Records releases including  “Bringin’ It Home” featuring George Benson. In 1992, Rudy was a semi-finalist in the Thelonius Monk Drum Competition.  Other musicians that Rudy has worked with since reaching New York are Diana Krall, David “Fathead” Newman, Hank Crawford, Teddy Edwards, Renee Rosnes, Lew Tabackin, Mark Whitfield, Bob DeVos, John Hart, and Jeannie Bryson. As well as keeping a very busy freelance schedule, Rudy has recently been recording and touring with the sensational funk organ sextet “Sugarman 3.” Rudy’s big band experience includes extensive work with the Glenn Miller Orchestra and the Tommy Dorsey Orchestra under the direction of Buddy Morrow.

Petschauer recently completed recording a tribute CD to Organ great Jack McDuff with Joey DeFrancesco and all the members of McDuff’s final band.

 

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